From 4f2c0bde4f3f3a35901242d670b57116f22317e3 Mon Sep 17 00:00:00 2001 From: cassie Date: Thu, 7 Aug 2025 20:17:05 -0400 Subject: [PATCH] vault backup: 2025-08-07 20:17:05 --- content/week-notes/027.md | 2 +- 1 file changed, 1 insertion(+), 1 deletion(-) diff --git a/content/week-notes/027.md b/content/week-notes/027.md index 704f48b..b328c83 100644 --- a/content/week-notes/027.md +++ b/content/week-notes/027.md @@ -17,6 +17,6 @@ I'm back on my *Fields of Mistria* bullshit now that we're home. At this point, ## Listening I listened to *Tapestry* by Carole King. I'm not really sure why — I knew it wasn't really going to be for me. It's a legendary album and I'm sure deserves its place in music history, but as an individual listener in 2025, I found it a bit ho-hum. -I also listened to [*I Love My Computer* by Ninajirachi](https://ninajirachi.bandcamp.com/album/i-love-my-computer), which fucking bangs. Recommended for fans of Charli XCX's earlier, more PC music-adjacent era[^1], and general hyperpop/EDM folks. Listen to "Fuck My Computer" and "Delete." +I also listened to [*I Love My Computer* by Ninajirachi](https://ninajirachi.bandcamp.com/album/i-love-my-computer), which fucking bangs. Recommended for fans of Charli XCX's earlier, more PC music-adjacent era[^1], and general hyperpop/EDM folks. Listen to "Fuck My Computer," "Delete," "Sing Good." [^1]: I love *brat* and believe it brought PC Music's innovative sound to the mainstream, but that also works against it: it's somewhat diluted compared to the bizarre, abstract, creative shit that PC Music and similar artists put out over the years. \ No newline at end of file