From 5734d575a836d887a4de8a6e21c7f1b74eb2bf50 Mon Sep 17 00:00:00 2001 From: cassie Date: Thu, 7 Aug 2025 22:52:43 -0400 Subject: [PATCH] vault backup: 2025-08-07 22:52:42 --- content/week-notes/027.md | 2 +- 1 file changed, 1 insertion(+), 1 deletion(-) diff --git a/content/week-notes/027.md b/content/week-notes/027.md index b328c83..2a7f039 100644 --- a/content/week-notes/027.md +++ b/content/week-notes/027.md @@ -17,6 +17,6 @@ I'm back on my *Fields of Mistria* bullshit now that we're home. At this point, ## Listening I listened to *Tapestry* by Carole King. I'm not really sure why — I knew it wasn't really going to be for me. It's a legendary album and I'm sure deserves its place in music history, but as an individual listener in 2025, I found it a bit ho-hum. -I also listened to [*I Love My Computer* by Ninajirachi](https://ninajirachi.bandcamp.com/album/i-love-my-computer), which fucking bangs. Recommended for fans of Charli XCX's earlier, more PC music-adjacent era[^1], and general hyperpop/EDM folks. Listen to "Fuck My Computer," "Delete," "Sing Good." +I also listened to [*I Love My Computer* by Ninajirachi](https://ninajirachi.bandcamp.com/album/i-love-my-computer), which fucking bangs. Recommended for fans of Charli XCX's earlier, more PC music-adjacent era[^1], and general hyperpop/EDM folks. Listen to "Fuck My Computer," "Delete," and "All I Am" for a taste of what the whole album is like; I'm particularly enamored with "Sing Good," but the whole album feels like an ode to teenage creativity and terminally online behavior, both of which I am deeply nostalgic for. [^1]: I love *brat* and believe it brought PC Music's innovative sound to the mainstream, but that also works against it: it's somewhat diluted compared to the bizarre, abstract, creative shit that PC Music and similar artists put out over the years. \ No newline at end of file