132 lines
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HTML
132 lines
8.4 KiB
HTML
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<meta name="description" content="Doing Reading Watching Playing Listening I finally got around to listening to SOPHIE by SOPHIE. Man, I have such mixed feelings about posthumous releases. The greedy bitch in me wants more, always, especially from artists who died way too young. I know SOPHIE’s brother, who finished the album, insists that SOPHIE was nearly done with it at the time of her death, but the stretch between “nearly finished” and “actually ready to release” can be miles long for an artist. I’m not an artist, by any means, of SOPHIE’s caliber, but a piece of writing for me can completely transform in the edit. Posthumous albums too often feel like an early sketch1, a pastiche of the auteur that are perhaps categorically incapable of capturing the genuine vision and artistry of the deceased. Unfortunately, this was the case for me with SOPHIE: “Reason Why” and “Live in My Truth” were standouts, but in general, it lacked the thrill and voice of SOPHIE (RIP).
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<time datetime="2025-08-11T00:00:00+00:00">11 August 2025</time>
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<h1>(week notes 28)</h1>
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week-notes/028
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<h2 id="reading">Reading</h2>
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<h2 id="listening">Listening</h2>
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<p>I finally got around to listening to <em>SOPHIE</em> by SOPHIE. Man, I have such mixed feelings about posthumous releases. The greedy bitch in me wants more, always, especially from artists who died way too young. I know SOPHIE’s brother, who finished the album, insists that SOPHIE was nearly done with it at the time of her death, but the stretch between “nearly finished” and “actually ready to release” can be miles long for an artist. I’m not an artist, by any means, of SOPHIE’s caliber, but a piece of writing for me can completely transform in the edit. Posthumous albums too often feel like an early sketch<sup id="fnref:1"><a href="#fn:1" class="footnote-ref" role="doc-noteref">1</a></sup>, a pastiche of the auteur that are perhaps categorically incapable of capturing the genuine vision and artistry of the deceased. Unfortunately, this was the case for me with <em>SOPHIE</em>: “Reason Why” and “Live in My Truth” were standouts, but in general, it lacked the thrill and voice of SOPHIE (RIP).</p>
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<p>I downloaded <a href="https://muizyu.bandcamp.com/album/nothing-or-something-to-die-for"><em>nothing or something to die for</em> by mui zyu</a>. I had high hopes because I really like “donna like parasites” (I got a version of it in <a href="https://fatherdaughterrecords.com/products/its-2025-and-wow-thats-unfortunate-but-well-get-thru-this-with-a-free-sampler-so-here-ya-go">a free sample pack from the label</a>), but I found the album as a whole to be rather dull. “donna” was my only standout. zyu did put out <a href="https://muizyu.bandcamp.com/album/nothing-or-something-to-die-for-cantonese-tasting-menu">a collection with a few of the songs translated into Cantonese</a>, which features Emmy the Great (who I like) — a really cool idea but would be more novel if I was into the actual tracks.</p>
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<p>I had <a href="https://cassie.ink/week-notes/021/">similar beef</a> with Mac Miller’s <em>Circles</em>. <a href="#fnref:1" class="footnote-backref" role="doc-backlink">↩︎</a></p>
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