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@ -17,6 +17,6 @@ I'm back on my *Fields of Mistria* bullshit now that we're home. At this point,
## Listening ## Listening
I listened to *Tapestry* by Carole King. I'm not really sure why — I knew it wasn't really going to be for me. It's a legendary album and I'm sure deserves its place in music history, but as an individual listener in 2025, I found it a bit ho-hum. I listened to *Tapestry* by Carole King. I'm not really sure why — I knew it wasn't really going to be for me. It's a legendary album and I'm sure deserves its place in music history, but as an individual listener in 2025, I found it a bit ho-hum.
I also listened to [*I Love My Computer* by Ninajirachi](https://ninajirachi.bandcamp.com/album/i-love-my-computer), which fucking bangs. Recommended for fans of Charli XCX's earlier, more PC music-adjacent era[^1], and general hyperpop/EDM folks. Listen to "Fuck My Computer," "Delete," "Sing Good." I also listened to [*I Love My Computer* by Ninajirachi](https://ninajirachi.bandcamp.com/album/i-love-my-computer), which fucking bangs. Recommended for fans of Charli XCX's earlier, more PC music-adjacent era[^1], and general hyperpop/EDM folks. Listen to "Fuck My Computer," "Delete," and "All I Am" for a taste of what the whole album is like; I'm particularly enamored with "Sing Good," but the whole album feels like an ode to teenage creativity and terminally online behavior, both of which I am deeply nostalgic for.
[^1]: I love *brat* and believe it brought PC Music's innovative sound to the mainstream, but that also works against it: it's somewhat diluted compared to the bizarre, abstract, creative shit that PC Music and similar artists put out over the years. [^1]: I love *brat* and believe it brought PC Music's innovative sound to the mainstream, but that also works against it: it's somewhat diluted compared to the bizarre, abstract, creative shit that PC Music and similar artists put out over the years.