4.1 KiB
| title | date | tags | draft | url | |
|---|---|---|---|---|---|
| Reduced to tongue eardrum thumb pencil and price (WN28) | 2025-08-11 |
|
true | week-notes/028 |
Doing
Reading
Watching
Joe and I (re)watched Sky High. It was on Disney Channel constantly when we were kids. I am proud to say that the movie still rocks.
Playing
Listening
I finally got around to listening to SOPHIE by SOPHIE. Man, I have such mixed feelings about posthumous releases. The greedy bitch in me wants more, always, especially from artists who died way too young. I know SOPHIE's brother, who finished the album, insists that SOPHIE was nearly done with it at the time of her death, but the stretch between "nearly finished" and "actually ready to release" can be miles long for an artist. I'm not an artist, by any means, of SOPHIE's caliber, but a piece of writing for me can completely transform in the edit. Posthumous albums too often feel like an early sketch1, a pastiche of the auteur that are perhaps categorically incapable of capturing the genuine vision and artistry of the deceased. Unfortunately, this was the case for me with SOPHIE: "Reason Why" and "Live in My Truth" were standouts, but in general, it lacked the thrill and voice of SOPHIE (RIP).
I downloaded nothing or something to die for by mui zyu. I had high hopes because I really like "donna like parasites" (I got a version of it in a free sample pack from the label), but I found the album as a whole to be rather dull. "donna" was my only standout. zyu did put out a collection with a few of the songs translated into Cantonese, which features Emmy the Great (who I like) — a really cool idea that would be more novel if I was into the original tracks.
I shifted to Joanna Newsom's earliest release, Walnut Whales; it's a rough sketch of songs that would be realized later, but there's something really interesting about them — I think I love "Peach, Plumb, Pear" better than the one that eventually appeared on Milk-Eyed Mender (which is, of course, iconic and still wonderful, but I love a synth). I really love "Erin" too, which never saw a re-recording outside of Walnut Whales. I listened to a bunch of Ys this week as well; it remains one of my favorite albums.
I'm still super into I Love My Computer by Ninajirachi. Brendon Bigley wrote a great review of it on Wavelengths.
I chatted with my sister about music a bit and we reminisced about Paramore — we were huge fans as teens as soon as All We Know Is Falling... dropped. For some nostalgia, I listened through to the album again and did a little song-by-song write up.
- All We Know - Fine; a heavy track (by Paramore standards) that sets the tone for the album but is otherwise not super notable
- Pressure - iconic and excellent still. If I was trying to expose someone to the early pop-punk/emo scene, this is one of the first tracks I'd play them. Special shoutout to the version of the song that was on The Sims.
- Emergency - I also still really like this song. Josh Farro is an ass but the guitar on this song smashes.
- Brighter - I recall being a diehard for this song as a teen; today, I find it a little fatiguing to listen to. That might be in the mix, and I really like the outro still, but it's a notable downturn after the Pressure-Emergency one-two.
- Here We Go Again - This one feels like a bit of a recall of the band's funk roots. I still really love this song. I remember being a fan of an acoustic live performance someone had put on YouTube. Farro really did have an ear for a catchy guitar hook.
-
I had similar beef with Mac Miller's Circles. ↩︎